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Totentanz. Paraphrase on the 'Dies Irae', S. 126: VII. Variation 4 — Anna-Victoria Baltrusch

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Totentanz. Paraphrase on the 'Dies Irae', S. 126: IV. Variation 1 — Anna-Victoria Baltrusch

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Totentanz. Paraphrase on the 'Dies Irae', S. 126: VIII. Variation 5 — Anna-Victoria Baltrusch

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Totentanz. Paraphrase on the 'Dies Irae', S. 126: I. Andante - Presto — Anna-Victoria Baltrusch

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Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: I. Lento — Anna-Victoria Baltrusch

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Totentanz. Paraphrase on the 'Dies Irae', S. 126: XI. Allegretto Scherzando — Anna-Victoria Baltrusch

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Totentanz. Paraphrase on the 'Dies Irae', S. 126: IX. Cadenza — Anna-Victoria Baltrusch

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Totentanz. Paraphrase on the 'Dies Irae', S. 126: II. Allegro — Anna-Victoria Baltrusch

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Totentanz. Paraphrase on the 'Dies Irae', S. 126: III. Allegro Moderato — Anna-Victoria Baltrusch

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Totentanz. Paraphrase on the 'Dies Irae', S. 126: V. Variation 2 — Anna-Victoria Baltrusch

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Totentanz. Paraphrase on the 'Dies Irae', S. 126: VI. Variation 3 — Anna-Victoria Baltrusch

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Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: I. Moderato — Anna-Victoria Baltrusch

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Preludes, Op. 28: No. 4 in E Minor (Arr. For Organ by Franz Liszt) — Anna-Victoria Baltrusch

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Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: VI. Choral (Lento) — Anna-Victoria Baltrusch

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Totentanz. Paraphrase on the 'Dies Irae', S. 126: XII. Allegro Animato — Anna-Victoria Baltrusch

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Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: X. Allegro con Brio — Anna-Victoria Baltrusch

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Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: IV. Recitativo (Lento) — Anna-Victoria Baltrusch

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Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XIII. Choral (Adagio) — Anna-Victoria Baltrusch

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Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XI. Vivace Molto — Anna-Victoria Baltrusch

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Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: V. Quasi Andante — Anna-Victoria Baltrusch

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Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: III. Quasi Allegro — Anna-Victoria Baltrusch

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Prelude and Fugue on the name B-A-C-H, S. 260: II. Fugue: Andante — Anna-Victoria Baltrusch

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Prelude and Fugue on the name B-A-C-H, S. 260: IV. Fugue: Maestoso — Anna-Victoria Baltrusch

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Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XII. Più Mosso — Anna-Victoria Baltrusch

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Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VIII. Allegro Deciso — Anna-Victoria Baltrusch

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Prelude and Fugue on the name B-A-C-H, S. 260: III. Fugue: Allegro — Anna-Victoria Baltrusch

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Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: V. Adagio — Anna-Victoria Baltrusch

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Totentanz. Paraphrase on the 'Dies Irae', S. 126: X. Sempre allegro, ma non Troppo — Anna-Victoria Baltrusch

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Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: III. Vivace — Anna-Victoria Baltrusch

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Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VI. Un poco più di Moto — Anna-Victoria Baltrusch

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Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: II. Poco a poco accelerando e Crescendo — Anna-Victoria Baltrusch

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Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: II. Animando poco a poco (A Capriccio) — Anna-Victoria Baltrusch

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Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: IX. Fuga. Allegretto con Moto — Anna-Victoria Baltrusch

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